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Electra2 is equipped with a high quality sound engine, multi layer support and a large range of music production features, all using a friendly hands-on interface that ensures first-timers can easily create sounds and experts can take their designs as deep as they want to.
Electrax 2 Vst Crack
Featuring 1200 production-ready sounds designed by professional sound designers. A comfortable patch browser to give an instant overview of all available sounds, together with an on-screen keyboard to audition them from within the patch browser.
Electra2 provides many user-friendly control options to tweak factory sounds or craft new ones. Each of its 4 layers consists of a powerful multitimbral synthesizer with 14 different synthesis methods.
New Ultrasaw oscillators (PW controls detuning):
– 4 new oscs ‘Hypersaw Vir 3x-9x’ which can sound like the Hypersaw of the Virus
– New osc ‘Supersaw JP’ which has been inspired by the famous JP 8000
– New osc ‘Supersaw clean’ (same as above, but without disharmonic aliasing)
– New osc ‘Supernoise’ with a lush and creamy sound
– New osc ‘Hypersquare 9x’ with 9 detuned squarewaves
– New osc ‘Hypernoise 9x’ with a lush and creamy sound
– 4 new oscs ‘Hypersaw Vir 3x-9x’ which can sound like the Hypersaw of the Virus
– New osc ‘Supersaw JP’ which has been inspired by the famous JP 8000
– New osc ‘Supersaw clean’ (same as above, but without disharmonic aliasing)
– New osc ‘Supernoise’ with a lush and creamy sound
– New osc ‘Hypersquare 9x’ with 9 detuned squarewaves
– New osc ‘Hypernoise 9x’ with a lush and creamy sound
New effects:
– Vocoder Pro is a high-end vocoder with 20 bands. The design is inspired by the legendary EMS 3000.
– Vocoder SVC has been inspired by the famous SVC 350.
New features:
– The effect parameters of all 4 insert effects can be modulated with the matrix. This can be used to create very unique sounds. Please note that not all possible routings make sense.
– Additional matrix target ‘FX Mix’ controls the dry/wet level of the insert effect
– Additional matrix targets ‘FX Par1-4’ control the effect parameters
– The new sound mode ‘scientific’ turns Electra2 into a precise signal generator
– The new sound mode ‘LowCut 140Hz’ cleans up the mix by removing low frequencies from Pads, Keys and Leads
– The new sound mode ‘HighCut analog’ simulates the muffled sound of analog synths and cleans up the mix by removing high frequencies from bass sounds.
– Additional patches which use the Supersaw OSCs: Electra 2.1 now ships with 1240 sounds
– 236 additional waveforms
Enhanced sound:
– The Vocoder effect has been replaced by an enhanced one
– Smart oversampling of the existing Ultrasaw osciallators
– More linear frequency response
– Replaced ‘Reverb Hall’ and ‘Reverb Room’ with better sounding algorithms
– High frequencies of ‘Delay’ and ‘PingPong’ effect
Enhanced GUI & interface:
– Mousewheel support for patch browser
– Better performance when patch browser is open
– Midi CC assignments are shown on top of the knobs
– Midi learn is more intuitive to use (right click on a knob)
– Menus are not longer closed automatically after 10 seconds
– Display of the new Ultrasaw oscs shows spread
– Switching synthesis mode does auto-set PW to a useful value
Further enhancements:
– Reduced RAM use by 30%. This allows to load 4 additional instances in 32 bit mode.
– Faster loading of patches.
– Reduced CPU use on patch loading.
Bug fixes:
– Fixed a problem with the LFO sync in song mode which could appear in some hosts
– Fixed a rarely appearing crash after loading a patch and then selecting ‘init’->’reset all’
– Fixed a problem with saving the midi learn configuration when several instances were opened and closed at the same time
– Fixed a possible GUI glitch after loading a patch
– Fixed a possible crash which could happen with some very old hosts
– Fixed a problem that could happen if tone was routed in the matrix
– Background grid of step lfo was not displayed correctly
– Fixed a bug in ‘Loudness’ where high frequencies were boosted in a slightly incorrect way
– Dialog box was opened twice if a double click was used to load a wav to osc
Changes:
– Renamed ‘Loudness’ to ‘Dynamic loud’
– Renamed ‘Bass boost’ to ‘Dynamic bass’
– Renamed ‘Analog’ to ‘Bass boost’
– Renamed ‘Psychoacoust.’ to ‘Loudness’
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Modelling
Electra2 (VST/AU) is the second generation of Tone2's ElectraX, a synthesiser workstation comprising four layers (each one effectively a whole synth in itself), designed to deliver synth sounds of pretty much every conceivable kind.
New features include an expanded library (1180 presets) plus a full preset browser with auditioning keyboard, expanded handling of imported samples, improved effects, five new filter types, and the addition of physical modelling synthesis.
Electra2 is backwards-compatible with ElectraX. Any existing 'X' installation is overwritten by '2', which then stands in for 'X' in legacy projects. As you'd expect, then, Electra2 includes every one of ElectraX's features and can load all 'X' presets as if it were a new version of ElectraX rather than a whole new instrument.
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The 'bad' news, however, is that due to enhancements to the sound engine, Electra2 sounds better than - and, therefore, different to - ElectraX. While an improved engine is obviously a good thing in general, old projects with ElectraX onboard may sound subtly different when transferred over to Electra2, so we'd actually prefer to be allowed to have both versions installed at once.
Anyway, the sound quality of Electra2 is generally good in its own right. It has quite a full, clean character that will be familiar to Tone2 customers. It also has several new output colouration modes added to those of ElectraX (Linear sound, Loudness, Bass boost, Bright sound, Psychoacoustic and Analog Sound), and many of the older presets have been tweaked to make use of these.
We noticed something odd going on in the top end (around 15kHz and above), where some notes seem to be missing certain frequencies while others don't. This anomaly is often unnoticeable (depending on the patch) but could be a problem if you're relying on the synth to provide crisp detail in the highest treble ranges.
Full of filters
Back on the bright side, the Electra2 interface, while unchanged in layout, seems to load much faster and feels more responsive than that of ElectraX. Tone2's code optimisations mean that Electra2 can be expected to outperform ElectraX - indeed, this is a plugin that always feels very stable and robust.
Five new filter types bring the total count up to 37. The new Vocals 2 filter provides the typical vowel formant sounds that were popular in many forms of dance music a few years ago. Similarly, the new Vocal AM filter type is useful for approximating those classic dubstep 'yoys'.
LP AM combines a low-pass with a super fast ring modulator that can help add a crystalline, lo-fi crunch, while BP Boobs is a double band-pass filter that we suspect was just added on a whim when the programmers were feeling a bit bored and lonely. Lastly, the new M Shape type combines band-pass and high-pass filters.
Most of the effects carried over from ElectraX have been optimised for better performance and sound quality, while a dozen new modules have been introduced as well, bringing the total to 32. These include Smart Unison (a chorus), two phasers, two vibrato effects, two tremolo effects and five reverbs.
The reverbs are particularly impressive - so good, in fact, that they could easily alleviate the need for a separate reverb plugin most of the time. With so many high-quality processing options available, though, the realisation that you're limited to a single insert effect per layer, plus a shared master effect, is something of a dampener.
ElectraX was always able to import samples for playback, but Electra2 can automatically find loop points, tune sounds on import (or afterwards), and save samples with patches for easy recall. Further, you can edit the loop points of loaded samples by simply dragging them around, and take advantage of a new set of offline processes - including Reverse, Trim, Cut, Maximize and Remove DC - and various distortions and lo-fi effects.
It really is fun and easy to pull a sample in and manipulate it beyond the point of recognition, although it does feel like an undo feature needs adding. Of course you can still use imported sounds as the basis for the resynthesis engine, too, or for creating your own wavetables, just as you could with ElectraX.
Electra-fying
Although not without its flaws, Electra2 is a powerful synth with a lot going for it. The presets prove that it can throw heavy punches in almost any arena, adapting its synthesis style to even the broadest ambitions.
While we're not sure that we concur with Tone2's claim that it's the only synth you need in your arsenal - it has one too many weak points and its inherent character is too strong for it to be the right choice for everything - we'd certainly describe Electra2 as a powerful and worthy addition to any virtual music studio.